I work in a style I call Sensitive Minimalism.
It’s a way of painting that begins not with what I see, but with what I feel — through touch, movement, and memory.
My vision is limited, yet this has opened another kind of clarity: I perceive light, rhythm, and emotion more than form.
For me, beauty doesn’t live in perfect lines or precision — it exists in what is sensed, in the warmth and presence that remain when we stop trying to define everything.
Each work is a quiet gesture of that feeling — simple, imperfect, and alive.